If you missed my first post on creating an Icon, please go HERE.
Day 2: One of the main things that separate Iconography, from just a painting, is the golden halo around the icon's face.
It is like they are shining with divine light from inside themselves.
To create that look, we heat up the clay we applied the day before, by doing some incredible heavy breathing.
You breathe at least 3 times...slowly...very slowly and then you apply the gold leaf and attempt to get it to stick.
I had an such a hard time making the gold stick to the clay bolo.
I spent hours and hours breathing and breathing and breathing on the icon.
I am still hurting from that and I am writing this part of the post, 6 hours later.
Thankfully for me, the gold finally did stick and you can see how it turned out in the second photo.
That is 3 layers of gold leaf burnished and then polished with an agate.
The last thing we did, was ring it with red paint.
I may add divots tomorrow, to make it look like it has jewels around it.
We shall see how I feel and how much time I have.
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Day 3: I added those divots around her halo/nimbus. We began painting what is known as the Roskrish (which means chaos) and it is the application of the base colors. Part of those base colors, is the sankir, which is the first base coat for the skin and hair areas of the Icon. Basically 1/3rd or so of this base coat will remain at the end of the project. We then began the first light aka (body). Painting large light areas onto the Roskrish. These areas will be painted on 3 more times, in smaller and smaller areas. In between, we will float the entire image with water mixed with small amounts of paint. That is for tomorrow.
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Day 4: We did first float, which is a color wash. Second light (soul) added more highlights in small amounts and second float. It is coming along, though the wait time between coats is starting to become a little boring. If you rush the floats, the different paints mix together and so you get leakage between areas.
Later on in the day, we returned for a presentation between 7PM and 9PM on the Revival of the Icon. It was basically placing the Icon into its place in art history and its revival today.
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Day 5: More floating and lighting. We did the third Light (Spirit), third float and then the final light, the fourth light (Divine). The fourth light is so very small, that we put these thin lines on, in groups of 3.
Just imagine trying to do that. Very labor intensive work, but we have built the light layer by layer and now this is the top, the part that shines through all those floats. It boggles the mind.
At that point, we are now told to begin putting in the final details, since we will not be floating anymore.
The final adding of the black and red lines, occurs here.
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Day 6: We are here, at the final few hours. We only have 3 of them and so it is a total rush day, trying to get as much done, as possible. Added today are her lily, the cross, the lettering on either side of the Saint, the edging, another ring around the nimbus. I expected to get a final photo of the class with their completed work, but that didn't happen. Our teacher had a flight to make and so we headed out, as we finished.
Many intend to return next year, but I am not sure...though getting the project oiled, might get me there.
I found the class a good exercise in learning a process. Due to my unfamiliarity with Icon Painting, it really was just a show and tell kind of experience. There are so many things I would have done different, if I knew that they would remain in the final version of the painting. Those black lines around everything, I would have made a little less bold. We etched the image into the board, but I am unsure if I would do that again. Though it may have made the floats stay in place, so maybe it did have a purpose. Touch ups, during each layer. Yes, I would pay more attention to those imperfections in the chaos and fix them before it became almost impossible to do so. All in all, it was a week well spent, getting in touch with a more spiritual side of painting. Just reciting the Iconographers Prayer each morning went from being a weird thing, to something I had to do before I began. Especially the line about being so unworthy to draw the lines. :-)
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A Prayer Before Beginning an Icon:
O DIVINE LORD of all that exists, Thou hast illumined the Apostle and Evangelist Luke with Thy Holy Spirit, thereby enabling him to represent Thy most Holy Mother, the One who held Thee in her arms and said: The Grace of Him Who has been born of me is spread through the world!
Enlighten and direct my soul, my heart and my spirit. Guide the hands of Thine unworthy servant so that I may worthily and perfectly portray Thine Icon, that of Thy Mother, and all the Saints, for the glory, joy and adornment of Thy Holy Church.
Forgive my sins and the sins of those who will venerate these icons and who, kneeling devoutly before them, give homage to those they represent.
Protect them from all evil and instruct them with good counsel. This I ask through the intercession of Thy most Holy Mother, the Apostle Luke, and all the Saints. Amen.