Since tomorrow's the day, I thought I would post a little preview post here. KCET turns 50 tomorrow and yes, we are celebrating. Our program, KCET: 50 Years At The Forefront, airs tomorrow night. Here is a look back, at Hollywood Television Theater.
It started out as The Greater Los Angeles Television Theater, when the proposals were sent out to the Ford Foundation and CPB.
PBS did not even exist at that time.
Executive Producer Lewis Freedman went on a road trip around the Country, trying to find a Public TV Station that could work with him to make dramatic productions to air on NET (the precursor to PBS). Though living in small rented quarters, KCET had a willingness to do whatever it took, to make this production work at their station. The station has always been located in the heart of the creative community and it felt right to push for this. So Lewis Freedman and KCET sent in the proposal and amazingly, it was funded.
With 1.2 Million dollars, they were off. I am sure at that time it looked like a lot of money, but as they soon found out, everything had to be low balled. If a play they wanted was more than they had budgeted, it was turned down. If an actor wanted lots of money, they were told that the budget could not afford them. What they found out though, was that actors worked around the low paying gig with their regular work and were happy to get a chance to perform on an "experimental" platform, such as "Educational" Television. Remember, the big 3 Networks and their advertisers, had the final say on what aired. At that time, Public TV was given some leaway and that was appreciated by the writers, producers and the cast itself.
KCET was at 1313 Vine Street when the first production, "The Andersonville Trial", was ready to be produced. In order to make the production happen, they had to move the entire Development Department out of their office, in order to have room for dressing areas for the cast and they put the wardrobe department out in the adjacent hallway. It was that small. What this showed the station management, was that if they wanted to do this project over the long haul, they needed a bigger lot.
Thus began the search for bigger quarters. A property on the far east side of Hollywood, known as the old Monogram Studios was empty and KCET management decided to make an offer on it. We picked it up for a small amount of money and this was where we moved in 1971. The lot had two large soundstages that were used for making B movies in the early days of film.
In the meantime, production began in earnest the next year (1970) and a total of 4 plays, most over 2 hours, were produced. While all this new production was going on, KCET, the TV station was broadcasting, we were the West Coast Delay for the Network (there were no such thing as satellite interconnection at that time), and of course, we had our own local productions going on, while this national one (and other national ones) were being shot.
It was quite a busy time.
After the move over to our new lot in August of 1971, (4401 Sunset Blvd which was known as 4000 Sunset Drive in those days) Hollywood Television Theater began in earnest. Due to some extra money being given to us for a different production that didn't pan out, 10 - 60 minute plays were added to the schedule. So we actually produced a total of 13 different productions that year. Note that 3 were the normal full 2 hour length.
The following year (without the extra money) we were back to 4.
This went on for a total of 7 years, which is a huge amount of time for any totally taped production and we were quite proud of it.
Our production crew was top notch and as the years passed we went from editing via cutting the 2" videotape, to something called the Datatron and then finally a computer controlled CMX 300 Quad Editing bay, that was still around when I arrived in 1980.
We were extremely lucky to have transitioned to Color Broadcasting in 1969, so all of the productions were shot in color.
After the first few years, Lewis Freedman decided to step down and move on and Norman Lloyd took over for the remainder of the series production. There were some differences in style, but for the most part, the productions continued as they had.
What finally killed Hollywood Television Theater, was the combination of approximately 20% less funding from the Ford Foundation, The Corporation for Public Broadcasting (CPB) and PBS. Over the years, PBS had taken over from NET and to fund shows, there was a system put in place called the SPC (Station Program Cooperative). It was a system where each PBS member station voted for what productions they wanted to fund for the next year and how much money. Unfortunately, when all sources were combined, HTT ended up under funded. Costs were rising and they were barely getting by with the money they had, so even less was not an option. In addition to less national funds, the KCET Board of Directors decided to no longer use local production funds to subsidize national productions. This was the final nail in its coffin and Hollywood Television Theater, was no more.
Over the 7 years that it was in production, 44 episodes were produced and aired on Public Television.
Here is the list of plays, with the season they originally aired.
The Andersonville Trial (1969-1970)
Big Fish, Little Fish (1970-1971)
Montserrat
Poet Game
U.S.A.
The Typists (1971-1972)
The Police
Lemonade
Birdbath
Beginning to End
Enemies
Neighbors
The Standwells: About Love
Young Marrieds at Play
The Picture
Two by Chekhov
The Scarecrow
Awake and Sing
Invitation to a March
Another Part of the Forest (1972-1973)
Shadow of a Gunman
Carola
Winesburg, Ohio
Steambath
Man of Destiny (1973-1974)
Me
Incident at Vichy
The Carpenters
Gondola
Double Solitaire
The Sty of the Blind Pig
Nourish the Beast
The Chinese Prime Minister (1974-1975)
The Lady's Not For Burning
For the Use of the Hall
Requiem for a Nun
The Ladies of the Corridor
Knuckle
The Ashes of Mrs. Reasoner (1975-1976)
The Hemingway Play
The Last of Mrs. Lincoln (1976-1977)
Six Characters in Search of an Author
The Fatal Weakness
Philemon
KCET took great pride in making these 44 plays and proving that we were capable of playing in the big leagues.
Visions, American Playhouse, and PBS Hollywood Presents were later productions that came our way, because of our reputation for producing excellent drama, with a top notch production and engineering crew who were baptized in fire, working on HTT.
A major part of our proud past.